Fake gadgets, trinkets, and document forgery software were being manufactured in UAssA sweat shops in China. After hours, local managers were illegally using the facilities to manufacture the gizmos and ship them out through Irkutsk along with caravans of Russian white slaves headed for Izrealhell's prostitution rings. The smuggling had actually been operating since the early 1970s, but only in 2007 when the "absolute evil" of the holocaust was finally exposed as the absolute bullshit of the hoaxoco$t did the learning challenged FBI catch on that something was not quite kosher.

According to an Interpol spokesperson, the most popular items among the memorabilia were:

1. document forgery software,

2. arm-numbering tattoo kits, and

3. holocaust fictive victim writing programs.

The forgery software produced documents far more sophisticated than the crude imitations used to frame Ivan the Wrong Demjanuk. For some reason, the tattoing kits were very popular among aging baby boomers who wanted to pass themselves off as holocaust survivors. And the fictive victim software writing program had been successfully used by Alley Weasel, Jerzy Kosinski, Benjamin Wilkovsky, et alii multi to break into the now "gone with the wind" hoaxoco$t jet set.

Strangely enough, the high end of the market for the memorabilia was among affluent German youth who could thereby secretly express their otherwise unutterable contempt for their government mandated holocaustianity while maintaining an outward facade of acceptance and belief. A German psychiatrist has compared their use of holocaust symbols to the outward acceptance of Christianity practiced by Jews in the Middle Ages. However, some college students just thought it chic to have 6,666,666 or some such number tattoed on their arm.

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HOLLYWOOD: Steven Spielberg's latest zio- flick, Amalek Kennedy, [German title: Leck-a-mal Kennedy] is scheduled to be released in 2016. It is the polar opposite to his Swindler's List from the 1990s which had never been popular among the Jewish sheeple because it showed Jews as spineless cowards unwilling to standup for themselves. Only Oskar the Swindler had any backbone. No backbone = no standup! So even fully holocaustofried joos did not really like Swindler's List.

Spielberg's 2006 Munich showed Jews as gung-ho assassins with a spine: avenging angels, rampaging pistol-packing Joshuas, blood thirsty Loeb and Leopold zio-psychopaths. Munich did include fairy tales of Mossad murder squads agonizing, questioning, doubting the morality of zio- assassinations, the very mission of Zionism, and Oih vey! Izrealhell itself. That is why super-joos dismissed Munich as auntie-Semenistic, although the Solomon Sixpackers and Leonard Lunchboxers of the jooish sheeple loved it. Alley Weasel, the then chief profit of the hoaxoco$t industry, fulminated, "Genuine Jews do not agonize over blowing away cattle-goyim. Our sacrud Talmud teaches, 'Kill the best of the goyim!'" However, most intelligent observers dismissed the murderers' sad and introspective moments in Munich as sop for the cattle-goyim, so that they would not be too offended.

Spielberg's new Amalek Kennedy picks up with a vengeance the Munich theme of revenge by showing Jews murdering for...well, almost no reason at all. Amalek refers to a tribe that somehow sometime somewhere offended the Self-Chosen and, therefore, should be exterminated. Some rabies argue that Amalek refers to the Germans, but Spielberg took the theme from a curse laid on the Kennedy clan by a Lubasonnavabitcher rebbe whom Joseph Kennedy Sr. had insulted on a transatlantic voyage in the early 1940s. Old Joe objected to the steerage passage rebbe chanting away in the first class passengers deck space and got the holy hairy man locked out of sight. The Kennedys pronto got the Amalek curse laid on them and Spielberg shows how eventually JFK, RFK, and JFK2 got blown away because of it.